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Volume III - Issue VII
July 2007
Covering Community and Culture in Western Montana
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Teardrop Trailers


Sometime, somewhere back in the 1970s, Ron Livsey inherited a 1947 Teardrop trailer from a grizzled old prospector buddy of his. He can’t recollect for certain when the exact year was, but he remembers that he loved that travel trailer for its sleekness, aerodynamics, and practicality.

For more than five years the trailer provided Livsey a comfortable, sheltered and protected place to sleep away the nights, while he spent his days panning and prodding for gold in California.

“I’d set it up in the spring, and I’d haul it out in the fall,” says Livsey.

“I’d stay out there six or seven months out of the year and set it up between the trees and have it canvassed and covered. It had a potbellied stove in the back, and I’d read in the evenings. To me, it was home. I never got rich prospecting, but I had a lot of fun doing it. I probably had that trailer until 1993.”

In February 2006, Livsey’s nostalgic memories of the Teardrop tugged at his sentimental side so greatly that he decided he needed to do something about it by starting his business. Economic idleness played a role in the business’s origins, too.

“I was unemployed and I had to do something; making my own Teardrops is what I chose.”

Teardrop camper trailers date back to the end of World War II, and were originally constructed with materials obtained from surplus markets. (The exterior skins were usually made from the wings of World War II bombers.) While much of the country’s transportation infrastructure has changed since the introduction of teardrop trailers, the reasons for owning a teardrop trailer are similar today as they were in years past: Teardrop trailers are economically viable and functionally practical. Depending on the model, a teardrop trailer can sleep up to three adults and several children, providing the means for people to have their own mini-mobile home on a journey or a vacation without relying on costly hotels.

Livsey’s handcrafted trailers are replicas of original 1940s era Kenskill and Kit productions, and they reflect his commitment to producing a high-quality, innovative line of products. He acquired much of his nuanced knowledge from George Wilkerson, a local friend who owns a Teardrop supply shop based in Missoula.

“What I did with George’s help was take three original 1947’s, tore them down, took all old aluminum off, took the hardware off, discarded the body, and then built new bodies, and put them on the frame. They were identical to the originals.”

“The first one that I finished, which included a handmade frame, took five months. Total, I’ve put 15 months’ worth of work into five trailers, or basically about three months apiece.”

From start to finish, a Teardrop requires a dizzying array of artistry. The chassis needs to be welded; the interior wood that forms the cabinets and kitchen has to be cut, trimmed, and triple coated with paint to prevent rotting.

“There’s a lot of welding and woodwork involved,” says Livsey. “And there’s some assembling, caulking, sealing, framing and insulation work that needs to be done.”

Livsey says that the prospective teardrop builder must take an honest look at his skills, resources and motivation.  None of the individual methods are too difficult in their own right, but there are a lot of steps involved.

“It’s very time-consuming, but nothing really threw me for a loop. There’s always something to do. It’s really just basic building, framing, insulation, and siding. It’s easy to put the aluminum in. That was a lot easier than I’d expected,” says Livsey, who surrounds himself in his Victor shop with standard power tools: a table saw, a circular saw, a jig saw, drills, screw guns and palm and belt sanders.

Most of the tools Livsey uses are simple, with just a few specialty tools.  In fact, he says, those lacking welding skills or equipment can do the cutting, fitting and cleaning; then have the chassis welded for them (as Livsey now does), and complete the bulk of the project with standard woodworking tools. (Livsey did the woodwork for the first replica that he worked on, but now contracts the mostly oak and poplar interior design work to a cabinet maker.)

Travel trailers and caravans vary from small basic models which may be little more than a tent on wheels (weighing around 400 pounds) to those containing several rooms with all the furniture and furnishing and equipment of a home. The Teardrop replicas produced by Livsey weigh about 1,060 pounds each and are equipped with extra amenities, including an ice box, a mattress, a heavily insulated sleeping area, bonus storage draws and cabinets, and even a spice rack.

“The trailers are sound, and easy, and economically affordable to tow,” says Livsey. “You hitch it up and you can go anywhere. During the summer time it’s nice and cool in there. It’s best for camping, stock up on dry goods, load it up and you’re ready to go. Just keep the propane tank full and the battery charged.”

Putting together a Teardrop, says Livsey, requires skills, a patient temperament and the availability of a flexible budget.

“The insulation work done to a Teardrop is like framing a house. You also need to do electrical work, and should have a lot of tape measures handy. I use every bit of space that I can get out of this thing.”

Teardrop trailers have a long and illustrious history of home builders and craftsman, like Livsey, constantly refining, tweaking and perfecting designs, something that gives teardrops their timelessness. 

Right now, Livsey is hoping that his foray into the Teardrop trailer business takes off, er, without a hitch, but if that’s not the case it’s not too outrageous to suppose that he’ll somehow be just fine even if it doesn’t. He does, after all, have the opportunity to one day, once again, take to those hills in search of glittering gold and to spend his nights in a Teardrop asleep beneath a towering bowl of stars.

“I might not sell the first Teardrop I made on my own. You know, I’ve got to say that looking at it makes me want to throw my dredge in the truck and go prospecting.”

For more information, contact Ron Livsey at Teardrop Trailers. Phone: 239-0946.

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Fools Theatre

Blossoming theatrical group intends to capture public’s attention and solidify budding reputation with string of July Cinderella performances.

The folks at Fools Theatre aspire to make community entertainment even more accessible for the Bitterroot Valley, and they plan to earnestly encourage more locals to be greater contributors to the area’s increasingly dynamic cultural landscape.

In fact, they’ve got strong visions of turning their productions into communal forces, with full-house audiences joining in on the excitement and spontaneity of one of their shows, all by tapping their feet, waving their hands, answering back, clapping until their hands hurt, and getting an overflowing plate of nourishing soul food served up by a cast that was simply terrific.

“I feel as if we started out with a bang with Chicago,” says denise rose (not a careless typo: she prefers lowercased letters to represent her name), the executive artistic director of Fools Theatre.

“We are standing on pretty solid ground, reputation wise, after our first production. Now we’ve got a new show which appeals to a different audience because we didn’t want to get locked in to a certain type of show. I hope that Cinderella will be equally as strong, entertaining, and professional.”

Last summer, Fools Theatre made its debut with its production of Chicago. Starting July 15, it’s the most celebrated of all the Disney classics, Rodger’s & Hammerstein’s Cinderella that gets to be the recipient of the theatre’s clever twisting.

Indeed, Cinderella has enchanted generations with its spellbinding story, charming music, and endearing characters who seem to live in people’s hearts forever. Bringing this beloved fairy tale of pure Disney magic to local audiences is part and parcel of Fools Theatre’s mission of showcasing a more diverse artistic life to audiences in the Bitterroot.

“There are plenty of small towns known for their live theater and entertainment,” says Mara Lynn Luther, Fools Theatre’s multitalented maiden whose theatrical background includes stints and experiences as an actress, a costume designer, a stage manager, a lighting technician, and a prop gatherer.

“It’d be great to be able to help build that type of theatre group here in Hamilton,” adds Luther.

Fools Theatre is dedicated to developing high quality theater through live performance, while providing educational, training and recreational opportunities to all who wish to participate. While not financially prepared for its own location, by putting together solid performances and generating a contagiously positive word of mouth buzz, rose says that her theatre group can briskly carve out its own niche if it plays its cards right.

“This valley is growing,” says rose. “And people are coming here from metropolitan areas, and some are expecting to have more artistic choices.”

Fools Theatre has given rose the vehicle to hone new skills and nourish fresh ideas, and while she still dabbles in directing productions for the Hamilton Players, she’s thrilled to be self-experimenting with fresh endeavors on novel projects where praise for success or blame for failure lands squarely on her own shoulders.

Says rose: “We would have liked more people to have come to Chicago and watched what we put on. It’s interesting that one thing we’ve learned since then is that marketing is the key.”

While neither rose nor Luther are foolish enough to be looking past Cinderella, the pair have certainly got some serious short and long term goals percolating: Fools Theatre hopes that more folks will experience a live theatrical event this year, either as volunteers donating time keeping its programs running, as performers showcasing their talents on stage, or as patrons appreciating the local arts scene right in their own back yard. Indeed, no matter what capacity of involvement, community theatre is a way to escape the ordinary.

“My biggest goal is to get more people involved in theater arts,” says rose.


rose has been involved with live theater since the early 1980s as an actress, and most recently as a writer and director and producer. In addition to being Cinderella’s prop and costume designer, she’s directing the production.  

With six weeks’ worth of preparation put into Cinderella, consisting of four to five rehearsals per week, and a fairly large ensemble of 25 actors, including children, rose says that directing “has been a fascinating process and a good growth experience.”

She said that a substantial commitment of time and energy is required on the part of each member of the all-volunteer cast and crew involved with the production.

So, just what is it that compels folks like rose and Luther to voluntarily get involved with community theater productions? Why is it that so many people work in community theaters as actors, directors, crew, board members, etcetera – exerting ample efforts for so many hours without pay?

The attraction for some, says rose, is that being a part of a community theater group allows you to present a persona that’s most personally satisfying, both on and off stage. Creative expression is the allure for others.

“It’s a way to artistically express yourself and to share yourself emotionally with your community. Plus, it’s a pressure relief valve for people watching it and doing it, a great destresser, and an ego boost.”

As director, rose has the crew focusing on the same goal: to make the best production possible as a result of their cohesive collaboration. Though it can be intense, dramatic and difficult, the cast and crew of the theater care about each other – on and off stage.

Shortly, the show will open. The play will be on its feet, just as the director had imagined, and ready for an audience. Opening night will be exhilarating for everyone, even the very nervous worriers in the group.

“It’s amazing to be a director sitting in the back of the theater on opening night,” says rose. “To watch people laugh and gasp and make comments is great.”

“It’s a good and exciting feeling to see the finished product,” says Ed Jessup, Fools Theatre’s technical director, who has been involved with theater for most of his life, most recently by building sets for plays at the Hamilton Players.

“Live theater can’t be beat as far as the energy between the actors and the audience,” says Luther. “Anything can happen with live theater.”

Fools Theatre invites the public to go the extra mile with them, and to create new community relationships through fun, madcap parodies, as well as emotionally engaging programs like Cinderella.

True to the essence of one of her stated goals for Fools Theatre for 2007, rose encourages community participation in all of the theater’s activities.

“I’d like to better communicate the local live theater options here in the Bitterroot to the rest of the community,” says rose. “I’d be very happy if we could get more people involved and interested in being on stage or volunteering.”

Tickets for Fools Theatre’s rendition of Cinderella are available at Chapter One Book Store, 363-5220, and on-line at the Hamilton Performing Arts Center website at www.hpac.com. Opening night is Friday, July 13.

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Hot places to cool off

A day trip to this uncommonly enjoyable western Montana town full of amusing resources is indubitably worthwhile.

When summer comes, the inevitable heat sizzles our skin and scorches our brains, and sends us a message to seek relief. Naturally water comes to mind as a cure all. Fortunately, there are no shortages of cool places to take a dip and drive your body’s core temperature down.

For many, visiting a river comes to mind, and there are multiple locations to take a dip, be it the Clark Fork, Bitterroot or the Blackfoot rivers. And there is always jumping in one of Montana’s many lakes. Still, others enjoy cooling off in manmade creations. And, for those of you who like the latter, you’re in luck.

Missoula is host to two state-of-the-art public swimming pools, Currents and Splash Montana. For years the University of Montana’s Grizzly Pool was the only sizeable public indoor pool. But, the completion of Currents fixed that.

Currents, Missoula’s indoor public water park, located in McCormick Park (just off of the Orange Street Bridge) is open all year and is packed with plenty of amenities.

It has a zero-depth entry with spray toys and a fun grizzly slide. The facility also houses two waterslides, leisure and lap pools, a spa, and its “Ripples” party room. Currents even has wireless internet access! It’s a nice year-round swimming alternative for those seeking fun and fitness. Currents’ hours are 6 - 8 weekdays and 11 - 6 weekends.

Located at 3001 Bancroft you can find Splash Montana, a full-service outdoor water park. There, you can catch a bite to eat at the Crazy Creek Café, and rent float toys. Numerous lounge chairs are situated throughout the facility, but if you don’t feel like lounging around, you can pick up a game of volley ball - complete with a sandy beach. Or, try the log walk and floating river. But, what makes Splash Montana so popular has to be the three exciting waterslides.

You can safely stash your valuables at the day-use lockers (bring your own lock or purchase one at the front desk).

Splash Montana’s season runs from May 28 through September 3. The swimming schedules change every month with early season hours, hot season hours and late season hours. To check on what’s happening, call 542-WAVE.

Many aquatic classes are offered at both facilities with varying times addressing various skill levels. The cost of the eight-class session is $32, but there are discounts for residents and annual members. Both pools have Jr. lifeguard courses and American Red Cross lifeguard certification.

Missoula Parks and Recreation has kept visits to the facilities very affordable. Youth (11 and under) fees are $3.00; student (12 - 17) and seniors- $3.50; and Adults (18+) pay $5.25. Acquatic passes and punch cards are also available for individuals and families.

For additional information regarding these facilities or any other recreational events, call Missoula Parks and Recreation, 721-PARK or visit www.missoulaparks.org.

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Wildlife Adventures

Adventure tourism guest ranch focuses attention on increasingly appealing market.

With its red cedar and Douglas-fir forests, sublime canyon corridors, blazing blue waters of backcountry lakes, and rugged summits, the Bitterroot Mountain Range supplies infinite possibilities for recreational rousing. Indeed, the Selway-Bitterroot Wilderness stretches out for more than 1,240,000 acres, making it an alluring and all-encompassing destination for those tourists who are looking for more than just a sheltered view of Montana’s longest chain of mountains from inside their pretty Saabs.

Adventure tourism has become one of the fastest growing sectors of the tourism industry. With exotic locales, embedded excitement, affordable price tags and activities designed to foster not only great memories but heightened levels of endurance and empowerment, these trips have a growing attraction.

But vacationers need to be mindful of three issues that could sour their experience: Qualifications of tour guides, attributes of a quality program or experience, and the risks, whether they are real or perceived. Negative adventure-based experiences could range from mild disappointment to catastrophe.

The Bitterroot Valley beckons visitors craving cool, rugged, or relaxing experiences – and businesses such as Wildlife Adventures heed the call. By offering adventure trips suiting to every ability and interest, Wildlife Adventures, based in Victor, endeavors to make every experience uniquely exciting.


Debra and Mike Caniglia purchased Wildlife Adventures in 1999, and have since added new amenities to business. (The business was established in the early 1970s and had mainly served as an outfitting business until the Caniglia’s purchase.)

In fact, in addition to horse packing and hunting expeditions, their services have expanded into a variety of activities geared toward family vacations, including a bed and breakfast, youth programming, and holiday parties.

Wildlife Adventures is situated on 380 plus acres bordering the Bitterroot National Forest – which itself covers more than 1 million acres of recreation.

“Our guest ranch isn’t a motel or a hotel, but a home away from home,” says Debra. “We enjoy serving our guests by sharing our western lifestyle with them.”

The Caniglias offer a log guest lodge with over 6,000 square feet of western hospitality. The upstairs lodge includes four upgraded rooms that are fully self-contained with a pair of double beds in each room. Downstairs, there are two upgraded suites with a large king bed in each room.

The lodge has a neatly arranged great room, which includes an authentic massive rock fireplace, a pool table, and a ‘no-host bar.’

Outside guests can enjoy the hot tub and the redwood deck that’s furnished with a barbecue pit and picnic tables.

The real adventurers have the opportunity to stay in a recently remodeled four room bunkhouse. Each room sleeps a minimum of four people, and all of the bunk beds and furniture are derived from hand-peeled logs harvested in Montana. A common door connects two of the bunkhouse rooms; this allows a large party the ability to sleep up to 10 people.

All meals are homemade and are served in the dining room, which is located adjacent to the great room, or barbecued on the patio.

“Our ranch meals and services have been rated by guests who’ve traveled the world as the best to be found anywhere,” says Debra.

The food, lodging, and the vast and magnificent views are only enjoyable interludes to whet the appetite; the truly unforgettable experiences are those rooted in the myriad physical and leisure activities that the Caniglias encourage their guests to partake in during their visit.

Montana rivals any Western state for stunning landscapes per square foot. Indeed, after leaving the lodge, you can take your daypack and hike up to a rustic lookout, or go picnicing along the scenic, deep expanses of Bear Creek’s drainage, or fish the Selway-Bitterroot hinterland, or, perhaps even better, contemplate man, God, and law while ogling the wildlife and mighty mountains surrounding the property.

“There are numerous trails to hike and we can furnish a guide,” says Debra. “If you just want to be on your own, you’ll enjoy everything the Bitterroot has to offer.”

It’s easy to miss the details when surrounded by sweeping views, but the Caniglias feel that beauty can be appreciated on a small scale, too.

“If someone spends the day sitting in front of the bunkhouse or just relaxing,” says Debra. “We think they’ll treasure those memories forever.”

For more information, visit www.wildlifeadventures.com.

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Can I Get Antibiotics to Treat My Virus?

Have you ever heard that “your illness is most likely caused by a virus?” What does THAT mean? What is a virus? Can I get antibiotics? Viruses are tiny particles that are too small to be seen with a regular microscope. They mostly consist of DNA or RNA surrounded by a coat of protein. They cannot live alone – meaning that they cannot grow or replicate by themselves the way that bacteria can. They must therefore find a “host” cell - and they must use that cell’s parts and machinery to reproduce.

Viruses are out in the environment waiting for a host cell to come along. They can enter humans through nose, mouth, or breaks in the skin. The viruses have some type of protein on their outer layer that recognizes the proper host cell. Cold and flu viruses, for example, will infect cells lining the respiratory tract.

Once inside the cell, the virus enzymes take over the host enzymes and begin making new virus. The new virus leaves the host cell by either breaking it open or budding out from it. Once free, they can attack other cells. One virus can reproduce thousands, and viral infections can spread quickly through the body.

Antibiotics, while good for treating bacteria, have no effect on a virus. A bacterium is different from a virus in that it is a single cell capable of living and replicating on its own. Antibiotics are formulated to interfere with this replication. As a virus is safe inside your own cells while reproducing, the antibiotic has no effect on them. A person usually must depend on their own body’s immune system to defeat a virus. One way it does this is by increasing your body’s temperature. The fever slows down the rate that viruses reproduce. Your immune system also begins to develop antibodies, which can hook to the virus particle and stop it from getting into your cells, or signal for more help from other cells. In most, but not all cases, your immune system keeps fighting until the virus is gone from your body. There are also a few anti-viral medications for specific infections that can help you feel better sooner.

Occasionally with viral infections you will start to feel better, and then suddenly feel worse again for a day or two. This is a new batch of virus being released in your body. Your immune system is already on the attack, so you will generally start to feel better more rapidly than you did when you first became sick.

Vaccines are another treatment against viruses. A vaccine can be a weakened, killed, or piece of a virus that is introduced into your body, usually through a shot. Your immune system can then develop antibodies that are ready to fight off the infection if the real virus starts reproducing. Vaccines are available against many infections today, including polio, chicken pox, shingles (herpes zoster), human papilloma virus (which can cause cervical cancer), Hepatitis B, measles and mumps, among others. While they do not provide 100% protection against the specific illness, they make it much less likely that your infection will make you severely ill.

When the virus reproduces rapidly, it can sometimes make “mistakes” or mutations in its offspring. This happens frequently with the flu virus, so a new vaccine is developed every year to help control the “new” strain of flu. Colds are caused by hundreds of different viruses, so an immunization against this is virtually impossible to develop.

If you would like more information about vaccinations, or would like to know how often and at what age vaccinations are recommended, please contact our office or your health care provider.

Janel McCormick is a Physician Assistant-Certified at Lolo Family Practice. Phone: 273-0045. www.westernmontanaclinic.com.

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Cow Herder, Musician, Teacher...and The Pied Piper of Hamilton?

J.M. Leon is a classical composer, teacher and fine artist originally from Madrid, Spain who moved to Hamilton recently.

J.M. Leon, a classical composer, teacher and fine artist originally from Madrid, Spain moved to Hamilton recently.  He made his presence as a musician known to the neighborhood on his second day here in an unusual and comical way when the cows from next door escaped into his yard. He quickly grabbed his trombone and headed out onto his lawn where the entire herd was scattering into neighboring yards, eating and mooing happily, enjoying their newly found freedom.

 

Before they wandered too far, he began to play his trombone.  The loud instrument kept the cows attention as Mr. Leon walked towards them playing the entire time.  He managed to herd most of the cows back to their enclosure before the owner of the herd showed up to take over. Mr. Leon smiled and shook his head saying, “that worked well, maybe next time I will use my trumpet.”

J.M. Leon doesn’t just use his musical skills for unexpected cow herding.  He has been teaching Suzuki method and traditional violin, viola and cello for 23 years to people of all ages. However, teaching music is not his only talent. He has an unusual talent for absorbing information.

 

J.M. Leon was born in Madrid, Spain, to a family of singers, poets and artists. He was guided by his mother at a very early age into the arts. At age three, he was sculpting, drawing and painting, sketching people in public places whenever possible. He spent his youth going to museums, absorbing as much knowledge as he could. He explored everything from sanguine, charcoal and ink to oil, wood carving and clay. By the time he was ten years old he had won two first prizes and several other honor mentions for painting and sculpture in national contests for children.

On one of his museum visits he had the chance to see an anthological exhibition of the notebooks by DaVinci. As DaVinci was known to do, Leon adopted for a while the habit of writing in his journal backwards (in a mirror-like fashion), but replaced it soon after with a personal code, and later with another based on the Greek alphabet, which he still uses today.

His experience at public school could be summarized in one word: boredom. Not having the chance to develop his creativity in a standardizing environment, he enjoyed his inner life, artistic drawings and technical sketches. With the combination of his agile mind and the need he felt to keep himself entertained, the plethora of learning possibilities was abundant. He absorbed information at rapid rates, continually testing his theories with careful observation.

At his school, there were hundreds of spiders living in the small cavities of a very long brick wall. In his free time Leon studied their life cycles and predatory techniques. These studies began an interest in biology and sciences in general.

In school he experienced an introduction for children to the string quartet. He fell in love with the violin, with its sound and shape. He won a cash prize for one of his paintings in a contest and used it to purchase a violin. He practiced constantly, read as many books as he could and “sounded out” melodies in his head. After two years of self studies, he passed examinations given by the Royal Music Conservatoire in Spain where he enrolled. In four years, he completed a degree in music that was supposed to have taken eight years to complete.

Nine years ago, he came to America to further his education. Upon arrival, his only language was Spanish. His first job here was as a translator, English to Spanish. He had to quickly become proficient in English to do the job he had been hired to do. His studies continue today with Italian, French, Chinese and Hindu.

His fascination of sciences led him to obtain an associates degree in science from Flathead Valley Community College. He earned bachelors degrees in both psychology and mathematics at the University of Montana then pursued a certificate in massage therapy through the Montana School of Massage. Every degree he earned was with high honors.

He is currently in the process of putting together classes in several subjects for home schooled children in the Bitterroot Valley. His teaching techniques are creative and promote a love of learning. He is also writing a book on learning as a synthesis of the numerous partial pre-existing theories from diverse social sciences.

Mr. Leon did use his trumpet with the cows with a curiosity born out of his natural tendencies as a researcher. He discovered that while the trombone repels them, they are either attracted to the sound of the trumpet or they are becoming accustomed to his presence. When he plays the trumpet, they crowd around the fence with expressions of interest on their faces. Perhaps he will use the violin next.

He will have a show at the Hamilton Playhouse of his artwork from August to October and is currently seeking strings instrument students.

Leon can be reached at 363-4103 for strings lessons or information on classes.

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Old Horse News

YMCA program adopts stock for Special Olympics

Honorable ethics and land veneration key tenets of outdoor organization’s beliefs.

Jamie Ensrud’s smile threatens to take in her ears. Hot Lips turns, looks at that endless grin, casually drops her head and nibbles at the grass. Jamie’s enthusiasm is not curbed by this mule’s docile demeanor. For Jamie, it is a competition; for Hot Lips, it is retirement.

Hot Lips is one of four U.S. Forest Service animals that have recently joined the Special Olympics team. The other three are horses named Licorice, Ivan, and Dooley. All of them share grizzled noses and grey eyelashes, yet continue to walk with a light step. They have not given up the farm.

In the last year, six horses from the Special Olympics team have died from old age. These four adopted animals have helped bring the herd back up to competition level.

After working for the U.S. Forest Service for years, and sometimes decades, the animals eventually are not able to keep up. Twenty mile days over rough ground in inclement weather are common. Despite their hardiness, there comes a time when even a mule knows that enough is enough. The problem of what to do with these old animals leaves stock managers confused and full of heartburn.

In today’s dwindling budgets, the Forest Service cannot afford to keep stock animals that are not earning their keep. The feed, shoeing, and vet bills add up quickly for animals that spend most of their time in the pasture or dry lot. But managers have been loathe to sell them. They fear auctions where these gentle critters will get picked up at canner prices and end up in trailers to Canada.

Sherry Gray has provided a solution. She works for the YMCA as the local program adaptive coordinator for Special Olympics and has found a home for these animals and brought joy to the competitors who ride them. Instead of packing heavy loads around the backcountry, these adopted animals are now carrying children in barrel races and pole events in the Five Valley Area Special Olympics Games. They do not resemble the same animals that I remember.


I knew Hot Lips as a solid mule who would march up hills without hesitation, stopping only when forced to rest. She was infamous for loving apples. On one trip she opened my stuff sack, took a large bite out of an apple, and left the rest of the food untouched. I didn’t find out until lunch. She looked away, feigning innocence. Her name suddenly took on a whole new meaning.


Now Hot Lips doesn’t need to nick apples while I’m not looking. She gets all the feed and attention she can handle. Between the competitors, staff, and volunteers, one would believe these animals were drawing the queen’s carriage.

Volunteers lead animals and even ride with the kids if they need help. Jim Chilcote is a long term volunteer who is the first in and last out, assisting with the initial set up and helping kids onto horses. Sherry’s husband, Dave, is a ‘back rider’ who rides behind children who can’t support themselves in the saddle. Hellgate High School students Cathy Kahl and Christina Hartl, an exchange student from Germany, were volunteering for their senior project, filling in the gaps where helpful hands were needed. Without all of these folks coming together, none of this could have happened.


The day ends with medals, smiles, and pants covered in horse and mule hair. The staff and volunteers linger, squinting in the low sun. They watch as Jamie strokes Hot Lip’s ears and offers treats. Hot Lips takes a break from the hand full of pellets and looks around, slowly chewing her reward. In the golden light, the entire crowd breathes together, horses, mules, adults, children – and nobody can believe how lucky they are to be there.

The YMCA is always accepting donations of hay and tack to support these animals. Interested parties should contact Sherry Gray at 721-9622. The Forest Service is looking for other non-profits willing to adopt old horses and mules. Debra Gale is the contact and can be reached at 821-1217.

Jason R. Fisher works out of the West Fork Ranger Station for the Bitterroot National Forest.

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